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WHITE STRIPES - Elephant - Music


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1. Early CD and DVD drives read data at a constant rate. The data on the disc is passed under the read head at a constant rate (Constant Linear Velocity, or CLV). As linear (meters per second) track speed grows at outer parts of the disc proportionally to the radius, the rotational speed of the disc was adjusted according to which portion of the disc was being read. Most current CD and DVD drives have a constant rotation speed (Constant Angular Velocity, or CAV). The maximum data rate specified for the drive/disc is achieved only at the end of the disc's track (discs are written from inside). The average speed of the drive therefore equals to only about 50–70% of the maximum nominated speed. While this seems a disadvantage, such drives have a lower seek time as they do not have to change the disc's speed of rotation.


2. The first digitally recorded (DDD) popular music album was Bop Till You Drop by Ry Cooder, recorded in late 1978; it was unmixed, being recorded straight to a two-track 3M digital recorder in the studio. Many other top recording artists, such as Stevie Wonder, were early adherents of digital recording; Wonder adopted the technology in early 1979 for Journey Through the Secret Life of Plants and all subsequent recordings. Others, such as former Beatles producer George Martin, felt that the multitrack digital recording technology of the early 1980s had not reached the sophistication of analog systems; however, he used digital mixing to eliminate the distortion and noise that an analog master tape would introduce (thus ADD). An early example of an analog recording that was digitally mixed is Tusk by Fleetwood Mac, from 1979.



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